Aldridge, D., & Fachner, J. (2006). Music and altered states: Consciousness, transcendence, therapy and addiction. London: J. Kingsley.
Becker, J. (2004). Deep listeners: Music, emotion, and trancing. Bloomington: Indiana University Press.
Rouget, G. (1985). Music and trance: A theory of the relations between music and possession. Chicago: University of Chicago Press.
Sylvan, R. (2002). Traces of the spirit: The religious dimensions of popular music. New York: New York University Press.
“Archives.” The Spirit of Raving. Accessed April 16, 2015. http://www.galaxy.com/rvw18264-620569/Hyperreal-org-The-Spirit-of-Raving-Archives.htm.
Boilès, Charles Lafayette. Man, Magic, and Musical Occasions. Columbus, OH: Collegiate Pub., 1978.
Christgau, Robert. “The Dionysus Theory.” Robert Christgau. April 2003. Accessed April 10, 2015. http://www.robertchristgau.com/xg/music/dionysus-emp.php.
Gray, J. Patrick. “Rock as a Chaos Model Ritual.” Popular Music and Society 7, no. 2 (1980): 75-83. doi:10.1080/03007768008591151.
Kruse, Holly. “Subcultural Identity in Alternative Music Culture.” Popular Music 12, no. 01 (1993): 33. doi:10.1017/S026114300000533X.
Neher, Andrew. “A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums.” Transcultural Psychiatry 1, no. 2 (1964): 91-93. doi:10.1177/136346156400100204.
Pattison, Robert. The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism. New York: Oxford University Press, 1987.
Ross, Andrew, and Tricia Rose. Microphone Fiends: Youth Music & Youth Culture. New York: Routledge, 1994.
Rouget, Gilbert. Music and Trance: A Theory of the Relations between Music and Possession. Chicago: University of Chicago Press, 1985.
Ventura, Michael. Shadow Dancing in the U.S.A. Los Angeles: J.P. Tarcher, 1985.
Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: University Press of New England, 1993.
Juno, A. (1996). Angry women in rock. New York: Juno Books.
Jourdain, Robert. Music, the Brain, and Ecstasy: How Music Captures Our Imagination. New York: Haper Perennial, 1997. 305.
Lindenberger, Ulman, Shu-Chen Li, Walter Gruber, and Viktor Müller. “Brains Swinging in Concert: Cortical Phase Synchronization While Playing Guitar.” BMC Neuroscience 10, no. 1 (2009): 22.
Richardson, Peter. No Simple Highway: A Cultural History of the Grateful Dead. 144.